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The picture, “Four Horsemen of the Apocalypse (30),” is a 2015 work by the Filipino-American artist Paul Pfeiffer. He discovered the original image, a 1967 photograph by famed basketball photographer Walter Iooss Jr., on the NBA’s online archive. In fact, the “Four Horseman of the Apocalypse” series also started out with five other studio-shot portraits of Monroe. “Everything I think about in terms of film celebrities, is even more apt if we think of it in relation to athletes,” said Pfeiffer. Pfeiffer relates the fleeting relationship between stardom and anonymity to the age of influencers and social media stars in particular.
Persons: Converse Chuck Taylor, Paul Pfeiffer, Walter Iooss Jr, Bill Russell, John Havlicek, Wilt Chamberlain, Russell, Iooss Jr, , “ Paul Pfeiffer, Paula Cooper, Pfeiffer, , “ They’re, ” Pfeiffer, , Marilyn Monroe, George Barris, — Monroe, Marilyn —, Zak Kelley, Monroe, Norma Jean, Pfieffer Organizations: CNN, NBA, Boston Celtics, Philadelphia, NBA Eastern, Boston Garden, Museum of Contemporary Art, Hunter College, Parsons School of Design, Contemporary, Madison Locations: American, Pfeiffer’s reimagining, Los Angeles, New York, Chelsea, Santa Monica, Pfeiffer's
What would a basketball game be like without the ebb and flow of two teams, without the roar of the crowd? Like Paul Pfeiffer’s videos. In “Fragment of a Crucifixion (After Francis Bacon),” from 1999, the Charlotte Hornets’ star power forward Larry Johnson rocks back and forth, alone on the court, screaming in victory or agony. In “Race Riot,” hands reach in to brace a fallen Michael Jordan — his iconic jersey, number 23, is blank. They’re small, they’re silent — and they’re just for you, an intimate confrontation with extravaganzas meant for millions.
Persons: Paul Pfeiffer’s, Francis Bacon, Larry Johnson, Michael Jordan —, ” Pfeiffer, aren’t, extravaganzas Organizations: Museum of Contemporary Art, Charlotte Hornets Locations: United States, Los Angeles, East Harlem, Mexican
As in 2011, the GOP speaker runs a House majority full of ideologically-driven conservatives who want to use the debt limit as leverage to force budget changes on a Democratic-led Senate and White House. “It is possible we will eventually see House Republicans put forth a plan for dealing with both the debt limit and the spending problem. After 2011, the Obama White House drew a hard line when the debt limit deadline came up again in early 2013. Andrew Harnik / APAsked about Biden's position and the GOP criticisms, the White House said the president “takes a backseat to no one” on pursuing bipartisanship, but said that the no-negotiations stance from 2013 onward on the debt limit succeeded. “Everyone seems to have forgotten that there was a debt limit standoff in 2013 where Obama adopted the no-negotiation approach and prevailed with a clean debt limit,” he said.
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